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Hollywood Hegemony

‘Ocean with David Attenborough’ doesn’t have all the answers, but it’s a start
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  • Analysis
  • Hollywood Hegemony

‘Ocean with David Attenborough’ doesn’t have all the answers, but it’s a start

Ocean is a film which has brought in a huge audience, and provided them with imagery … ‘Ocean with David Attenborough’ doesn’t have all the answers, but it’s a startRead more

by Jack Benjamin•May 14, 2025•0
Drop the Big One: Strangelove cosplay is enjoyable but unclear on its targets
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  • Hollywood Hegemony

Drop the Big One: Strangelove cosplay is enjoyable but unclear on its targets

A nuclear apocalypse is once more a real possibility, amid an increasingly fraught international picture – … Drop the Big One: Strangelove cosplay is enjoyable but unclear on its targetsRead more

by Jack Benjamin•April 14, 2025April 14, 2025•0
The greatest trick of all: Shadow of the Vampire and the ideological recasting of capitalism
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  • Hollywood Hegemony

The greatest trick of all: Shadow of the Vampire and the ideological recasting of capitalism

Vampires are ideological short-hand for an exploitative and often-violent ruling class, found throughout history, around the … The greatest trick of all: Shadow of the Vampire and the ideological recasting of capitalismRead more

by Jack Benjamin•February 10, 2025February 13, 2025•0
New Year, Worse Me: The Substance and our unhealthy disgust at the past
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  • Hollywood Hegemony

New Year, Worse Me: The Substance and our unhealthy disgust at the past

Coralie Fargeat’s The Substance has deservingly taken the world by storm – even if some of … New Year, Worse Me: The Substance and our unhealthy disgust at the pastRead more

by Jack Benjamin•January 1, 2025•1
Neat and tidy: Wallace & Gromit take the rot economy to task
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  • Hollywood Hegemony

Neat and tidy: Wallace & Gromit take the rot economy to task

With technology firms having divorced their production processes from human needs, and instead undermining and harming … Neat and tidy: Wallace & Gromit take the rot economy to taskRead more

by Jack Benjamin•December 25, 2024January 12, 2025•3
Welcome back to the ‘Diseased Little Island’ of 28 Years Later
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  • Hollywood Hegemony

Welcome back to the ‘Diseased Little Island’ of 28 Years Later

28 Days Later proved too much for my 12-year-old self, when a VHS recording of its … Welcome back to the ‘Diseased Little Island’ of 28 Years LaterRead more

by Jack Benjamin•December 11, 2024December 11, 2024•1
Save us all from Satan’s clown: Why Terrifier 3 is the Christmas gift for our time
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  • Hollywood Hegemony

Save us all from Satan’s clown: Why Terrifier 3 is the Christmas gift for our time

So much has been said of the Terrifier franchise’s ‘glow-up’, moving from a rough-around the edges … Save us all from Satan’s clown: Why Terrifier 3 is the Christmas gift for our timeRead more

by Jack Benjamin•December 6, 2024December 6, 2024•0
As Many Times As I Like: Longlegs and the politics of hopelessness
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  • Hollywood Hegemony

As Many Times As I Like: Longlegs and the politics of hopelessness

Longlegs is a film so obsessed with subtext that it often loses sight of delivering satisfying … As Many Times As I Like: Longlegs and the politics of hopelessnessRead more

by Jack Benjamin•October 30, 2024November 2, 2024•2
Three Little Devils: Trash Humpers and pre-empting the grotesquery of 21st century collapse
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  • Hollywood Hegemony

Three Little Devils: Trash Humpers and pre-empting the grotesquery of 21st century collapse

It took me more than 14 years to get round to it, but I finally watched … Three Little Devils: Trash Humpers and pre-empting the grotesquery of 21st century collapseRead more

by Jack Benjamin•October 18, 2024•1
A brief defence of Killer Bean Forever
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  • Hollywood Hegemony

A brief defence of Killer Bean Forever

I worry I may be about to forfeit any credibility I had as a critic. You’re … A brief defence of Killer Bean ForeverRead more

by Jack Benjamin•September 4, 2024•0

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Indy Film Library is a motion picture review service, which grew out of the need of independent filmmakers to receive feedback on their work. Founded by Chief Editor Jack Benjamin in 2019, the Amsterdam-based project quickly grew to five regular contributors, each driven by the desire to champion new creative talent, and offer the necessary advice for it to flourish.
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